Drake take care album titles
![drake take care album titles drake take care album titles](https://supplyanddemand.us/wp-content/uploads/2011/06/69413_10150103767863219_222841398218_7464567_5637358_n-494x318.jpg)
![drake take care album titles drake take care album titles](https://i.pinimg.com/236x/30/0e/4a/300e4a0e092e8b83258bda67fe22506d.jpg)
![drake take care album titles drake take care album titles](https://www.studlife.com/files/2011/11/take-care-drake-album-cover.jpg)
“It’s the weirdest experience for me,” he told Rolling Stone. When Shebib got the final master for Take Care, he took his car for a spin to play the album and began to cry. And when Drake does go in for classic chest-puffing - “We’ll Be Fine,” with its impossibly low bass line, or “HYFR (Hell Ya Fucking Right),” which has the best curse-chant hook since D’Angelo’s “Shit, Damn, Motherfucker” - it hits that much harder, like a blackjack hidden inside a plush pillowcase. … Even Tank, that intro off Sex, Love, and Pain, that kind of slow R&B vibe that lasts.” This is sticky sweet music that was all too often ignored by rappers because it sounded so vulnerable, and by critics because it sounded so damn slick.īut that plangent, pretty sound is actually a natural companion for bluster it makes the boasts on album opener “Over My Dead Body” and the come-ons that litter “Cameras / Good Ones Go Interlude” sound like odds-defying acts of heroism. R&B was one of the threads that initially connected the two men, who bonded over “everything from SWV and Jon B to Silk and Playa. The extra time also meant that Drake and Shebib were able to perfect their seamless blend of hip-hop and R&B to the point where they could even switch between the two mid-syllable. This is reflected in Take Care ‘s plethora of prominent samples, from SWV’s “Anything” to Gil Scott-Heron’s “I’ll Take Care of You,” and in the album’s blurring of song structure, the way “Marvin’s Room” oozes into “Buried Alive Interlude” and “Cameras” dissolves into “Good Ones Go Interlude.” Drake was also able to nab Stevie Wonder to play harmonica on the melancholy outro of “Doing It Wrong,” a cameo so classic that it’s actually audacious, and he scored a tongue-twisting verse from the mercurial rapper Andre 3000. And thanks to some commercial success, “we really didn’t have any limits,” the producer added. “We had a little bit more of an opportunity to stay home this time,” said the producer Noah “40” Shebib, Take Care ‘s chief architect. A particularly smoky middle-suite brings together four obvious single-options in Underground Kings, We’ll Be Fine, Make Me Proud, and Lord. After rushing from his breakout EP So Far Gone to his debut album Thank Me Later, which came out less than a year later, Drake was able to spend 17 months perfecting Take Care. That is not to say Take Care fails to rock out.